Post-impressionism
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Post-impressionism from Van Gogh to Gauguin by Rewald, John

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Published by Museum of Modern Art in New York .
Written in English

Subjects:

  • Post-impressionism (Art),
  • Painters.

Book details:

Edition Notes

Inculudes bibliographies.

Statementby John Rewald.
The Physical Object
Pagination619 p. :
Number of Pages619
ID Numbers
Open LibraryOL20209116M

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Since the late nineteenth century, Impressionist and Post-Impressionist painting has had an enthusiastic audience both east and west of France among Russian and American lovers of art. This unique book handsomely presents an exceptional era in the history of art 4/5.   Author Bernard Denvir's appropriately illustrated and well-organized book reads particularly well with Florence E Coman's TREASURES OF IMPRESSIONISM AND POST-IMPRESSIONISM, Fogg Art Museum's IMPRESSIONIST AND POST-IMPRESSIONIST /5(2). Post-Impressionism, in Western painting, movement in France that represented both an extension of Impressionism and a rejection of that style’s inherent limitations. The term Post-Impressionism was coined by the English art critic Roger Fry for the work of such late 19th-century painters as Paul Cézanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, and others. The author is the curator at THE most respected museum's in the world: The Hermitage in St. Petersburg. She selected four post impressionism ( to painters to present in detail in this book. They were younger than most of the impressionist painters but launched their careers from their predesessors perspectives/5.

Post-Impressionism is a term used to describe the reaction in the s against Impressionism. It was led by Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat. The Post-Impressionists rejected Impressionism’s concern with the spontaneous and naturalistic rendering of light and color. Post-Impressionism (also spelled Postimpressionism) is a predominantly French Georges Seurat.. The term Post-Impressionism was coined by the British artist and Impressionism while rejecting its limitations: they continued using vivid colours, often thick application of paint, and real-life subject matter, but were more inclined to emphasize geometric forms, distort form for expressive effect. These individual styles are now collectively referred to as Post-Impressionism. This book imposes coherence and a sense of pattern upon this diverse mix of movements and individuals that reacted 5/5(1). Post-Impressionism & Art of the fin de siecle: Books. 1 - 20 of results Big art for little hands, these enchanting activity books allow young artists to explore the world’s masterpieces on their own terms and with plenty of space to color outside the lines.